All Giacomo Francesco Cipper Oil Paintings

(Feldkirch, 1664 - Milan, 1736) was a German painter active in Milan from 1696 to 1736. Of German origin, he was active in Milan in the first half of the 18th century. Fertile painter of scenes of kind of formulation caravaggesca, his first attributed work is dated 1700; he operated in Lombardia and in Veneto ( Hunters and greengrocers , Modena, Gallery Campori; Farmers' family , Venice, Galleries of the academy). Subsequently the artist, perhaps under the influence of the Cerruti (some of whose works were once attributed to Cipper), to the scrupulous surrender of the detail it replaced a less illustrative vision, more sensitive to the games of light. His last known work is Self-portrait (1736, Hampton Court).
 

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Giacomo Francesco Cipper Still life of fish and shellfish oil painting


Still life of fish and shellfish
Pintura identificación::  80260
Still life of fish and shellfish
Info from source: Giacomo Francesco CIPPER , called " Il Todeschini" (Feldkirch 1664 - 1736 Milan), Still life of fish and shellfish, oil on canvas, 75 x 59 cm cjr
   
   
     

Giacomo Francesco Cipper Il Todeschini oil painting


Il Todeschini
Pintura identificación::  84496
Il Todeschini
oil on canvas, 75 x 59 cm cyf
   
   
     

Giacomo Francesco Cipper Old woman with a glass and a magpie oil painting


Old woman with a glass and a magpie
Pintura identificación::  97065
Old woman with a glass and a magpie
first half of 18th century Medium oil on canvas Dimensions 94.7 X 71.5 cm cyf
   
   
     

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     Giacomo Francesco Cipper
     (Feldkirch, 1664 - Milan, 1736) was a German painter active in Milan from 1696 to 1736. Of German origin, he was active in Milan in the first half of the 18th century. Fertile painter of scenes of kind of formulation caravaggesca, his first attributed work is dated 1700; he operated in Lombardia and in Veneto ( Hunters and greengrocers , Modena, Gallery Campori; Farmers' family , Venice, Galleries of the academy). Subsequently the artist, perhaps under the influence of the Cerruti (some of whose works were once attributed to Cipper), to the scrupulous surrender of the detail it replaced a less illustrative vision, more sensitive to the games of light. His last known work is Self-portrait (1736, Hampton Court).

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